Aya Koda's "Tree" offers a contemplative exploration of Japan's most celebrated and ancient trees through the eyes of the late writer. The book emerged from Koda's personal journeys to encounter these botanical landmarks, some of which gained wider international recognition after appearing in Wim Wenders' 2023 film "Perfect Days."
Koda approaches these trees not merely as objects of natural history but as subjects worthy of deep reflection. Her visits combine travel narrative with philosophical inquiry, examining what these ancient organisms represent across time and human culture. Rather than presenting straightforward botanical facts, the book invites readers to reconsider their relationship with trees and the natural world more broadly.
The work resonates particularly given the film's global audience, which introduced many viewers to these specific trees for the first time. Koda's written account provides a different entry point into the same subject matter, emphasizing personal experience and contemplation over visual spectacle. Her writing style encourages readers to slow down and observe, mirroring the patient growth of the trees themselves.
New Scientist's review, written by Rowan Hooper, characterizes the book as both original and thought-provoking. This assessment suggests Koda avoids clichéd nature writing, instead offering fresh perspectives on why ancient trees matter to individuals and societies. The book appears designed for readers seeking more than basic tree identification or ecological information. Those drawn to meditative travel writing, Japanese culture, or philosophical considerations of nature will likely find value in Koda's approach.
The connection to "Perfect Days" enhances the book's timeliness and accessibility, though it stands independently as a substantive work. Koda's examination of these trees serves as an accessible gateway for general readers to engage with questions about longevity, permanence, and humanity's place in natural systems.